Clearing out the last of my movies watched last year.
We Bury the Dead (2026). After an American experimental weapons accident kills every human and animal on Madascar, an American woman (Daisy Ridley) comes to help identify bodies and search for her husband who was on a work retreat there. Also sometimes the dead don't stay dead.
As someone who is pretty over zombie movies, I liked this one quite a bit. First of all, it's Australian, and boy can you feel it. This is not your Hollywood zombie blockbuster or even your Danny Boyle zombie blockbuster. For starters, we spend relatively little time running from or fighting zombies. In fact, these are the most ambiguously threatening zombies I can remember seeing in a long long time, and I liked how much that complicated the story. It's also beautifully shot with great atmosphere and a score that really adds to the mood of the whole thing. And I really appreciated how our understanding of the central couple's married relationship gets more complicated as the film goes on.
That said,
( spoilers )This movie feels like it invites comparison to 28 Years Later, if only by accident, given the timing. I know 28 Years Later has a lot of fans, and I didn't hate it, but overall I liked this a lot better for the indie feel, the focus on a female character, and honestly because I liked the cinematography better.
Anyway, it's out in theaters now. If it sounds fun, I recommend it!
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Red Rooms (2023). A French-Canadian film about two female true crime fans following the trial of a man accused of raping and murdering underage teen girls. This movie is beautifully made, and with really visible care and precision. The director knew what he wanted to make, and he went for it. The result is moody and fucked up without ever feeling exploitative (to me); this is very much about the groupies, not about the man on trial, and we never seen the horrifying footage at the center of the trial.
It's also shippy as hell. Our main gal Kelly-Anne is a wealthy model and computer hacker who professes herself to be "not bad with numbers," who's obsessed with the trial for reasons that are to some extent left to the viewer, while Clementine is a less well-heeled diehard apologist for the man at the center of the trial and is convinced he's innocent. Somehow out of these two, it's Clementine who feels like the more well-adjusted person; it's questionable whether Kelly-Anne has any friends at all, and yet maybe Clementine becomes one. As a friend of mine described it, "Clementine’s more open neediness draws out a reciprocal vulnerability from Kelly-Anne."
High rec from me. If any of this sounds appealing to you, definitely check it out.
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