beer_good_foamy: (GoT-slap)
So I dealt with the latest Game of Thrones episode the only way I know how: With a cracky crossover. OK, maybe not quite literally crack but... well, you know. It's not the first time I've had people drop in on the GoT-verse.



Title: In The Empire Business
Author: Beer Good ([personal profile] beer_good_foamy)
Fandom: Game of Thrones/Breaking Bad
Rating: PG13
Word count: 275
Summary: Shortly after the Battle of Winterfell, a minor lord has a business proposition for Jon and Dany.

So now what? )
beer_good_foamy: (Default)
Fan edits to the rescue: HIMYM alternate ending, get it before the lawyers do.


ETA: Aaaand, whaddyaknow, it's gone. Almost as if the Powers That Be don't approve of alternatives.

Yes, it's childish, in a way. I don't care. If nothing else, it makes me less annoyed that they used "Downtown Train" (even if it's a cover) for that scene; HIMYM always had good music choices, and I really don't want to have to connect my favourite songs to ... less favourite endings.

As for the finale itself, Alan Sepinwall says it best.

Just a few disjointed thoughts, under the cut.

spoilers for HIMYM and Breaking Bad )
beer_good_foamy: (Default)
Marvel's Agents of SHIELD (which I guess will forevermore make it impossible to talk about The Shield in Whedon fandom without causing confusion): Vauge spoilers for the first two eps )

Breaking Bad. Other people have said it better than I could, so I'll just note that damn, that was a brilliant, brilliant series finale.

...OK, I do have a few words.

Now, everyone loves a good anti-hero. Or anti-villain. Let's face it, apart from The Middleman, uncomplicated knights in shining armour are boring (which, again, most action series...) We love those shades of grey, we love to see good people do bad things... and bad people too. A lot of great TV series of the last 10 years have spent season upon season digging deeper into the souls of people doing horrible things for, what they maintain, are good reasons. At the centre is usually a man, who more-or-less genuinely Loves His Family, who has his own Code Of Honour, who does things for what he things are The Greater Good, who is trapped in a Culture Of Violence, etc etc etc. Basically, he is Just Like Us. Except he's also a (check any that may apply) racist, misogynist, sociopathic, mass-murdering, drug-dealing, hit-ordering, raping, self-righteous, hypocritical, wilfully-blind-to-the-effects-of-his-actions villain. Fine; those make for good stories. But sooner or later you get to the point where you need to end this story. And then what? You can't end it with our anti-hero retroactively turned into a knight in shining armour; that would be dishonest. Yet you can't end it with him simply getting his just desserts either.

Spoilers for Breaking Bad, The Wire, The Sopranos, The Shield (the Shawn Ryan series), Angel, Dexter... )

Did that get long? Sorry. I did it because I liked it.

Speaking of making excuses, though, the current season of The West Wing running on all channels really sucks. I know the Sorkin years were criticized for making caricatures of republicans, but it's nothing compared to this. When your supposedly adult characters start acting like 3-year-olds holding their breath until mom buys them ice cream, you need new writers.

And speaking of endings, How I Met Your Mother is just phoning it in for the last season, isn't it? Don't get me wrong, HIMYM phoning it in is still better than 90% of the sitcoms on TV, but we know this plot and we know these characters and we know how it's going to end and they should just have made a 2-hour movie and been done with it.


But at least I'm still watching it, unlike Under The Dome which never managed to breathe even a spark of life into a pretty good idea and seems content to be a poor man's Lost. Give me an ambitious failure over a competent bore any day.

Whedon's Much Ado About Nothing was pretty neat, though. And on one final musing on endings, The World's End does a neat job with a loosely connected film trilogy - building not on the characters but on the themes, and aging (or refusing to age) along with the actors.
beer_good_foamy: (Default)
Here's the first of the two fics I've written for [livejournal.com profile] zombi_fic_ation - the next is going up in a couple of days. Because there's no reason my first Breaking Bad fic shouldn't have zombies in it. Or at least one.

Title: Door, Door
Author: Beer Good
Fandom: Breaking Bad
Rating: PG13
Warnings: Drug use, language, character death and zombification
Pairing: Jesse/Jane
Word Count: ~1000
Betas: [livejournal.com profile] frogfarm, [livejournal.com profile] local_max
Author's Notes: Written for [livejournal.com profile] zombi_fic_ation and the prompt "Breaking Bad -- Jesse/Jane -- He has to believe she'd want to come back like this". No spoilers past season 2.
Summary: Jesse gets a visit from Jane at the end of season 2. It has to mean something that she'd come back to him, even if it's like this. There has to be a point to it. He just needs to figure it out.

I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
- Georgia O'Keeffe


He's been nodding in and out so much that when he wakes up and she's standing over him he just rolls with it, because it's not like it hasn't happened every time he closes his eyes.  )
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